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inetfilm.com  ~ director's profiles ~ Kraig X. Wenman
 
Kraig, a recent grad of the Vancouver Film School is currently writing scripts for his future productions. Kraig has directed many films here at inetfilm, such as The Picture Fades, Is it Nothing To You, and URIN and has written Shadowboxer. More coming soon.


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The Interview

What inspired you to create "The Picture Fades?"
Technology has become completely integrated in to our minds and to our societal view of how we, as a people, perceive and interact with life. When one allows technology to shape their perception of life, a barrier between the mind and body is created. The main character in The Picture Fades ( a nameless character for aesthetic reasons) has become separated from his self (by self I mean the mind and body). His search for meaning can then only be found in technology and its symbols, such as the TV or the answer less answering machine. He takes notes on himself watching himself on the TV, for it has become the only way he can view himself. As the film progresses we see images of his alienation whether it is in flashback, dream, or a future reality. In the final moments of the film, the character realizes that the screen or the life that he is watching is a blank, dark.... nothingness. The only way to reconnect his body and mind is to destroy that which first caused the separation...technology. But technology has become so integrated in to his psyche, that to do this he must destroy himself. Whether this story is a fantasy he has while staring out in to the ocean, or his own reality and lack thereof purpose, to me this film is what I see happening in today's society. Our generation does not have a Vietnam, World War, or a uniting fear of communism. Our wars are internal. Whether it is racism, bureaucracy, alienation, or technology, our war will be the greatest and most devastating for it is amongst ourselves.

What is your film background?
I started making scripted films as a child, and have always written. I'm the son of "The Cable Guy," and have always used film selfishly as an escape and reality. Film School taught me the superficiality of the industry. One teacher telling me, "You can't have poetry in film...If you want to write or even quote other poets, write a book...no one wants to see a poetic film." Of course, he told me this minutes before I was to pitch my script to the faculty and fellow students. If you have something to say...say it. There will be someone out there that understands and/or cares about it. And to me, all filmmakers are narcissistic and self-indulgent...so indulge. If a film represents a part of you, do not water it down for someone else. It is the product of your imagination. Only you live with it on your conscience.

I understand you're a writer at heart and have participated in several poetry contests etc., can you tell us a little about them.
Poetry is the ultimate vent and therapy to me. It surrounds us in our music, literature, paintings and outlook on life. Winning contests to me does not even slightly compare to someone saying that my words touched them somehow. I've won some major Nationals and Internationals. But I hate to dwell on it when there's so much more to be said in this world.

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